Marina Abramovi? retrospective celebrates the grand dame of performance art – but questions the genre’s future
Marina Abramovi? retrospective celebrates the grand dame of performance art – but questions the genre’s future: In 1974, Marina Abramovi? performed a career-defining work at a small experimental gallery in Naples, Italy. The Serbian artist stood naked next to a table on which she had arranged 72 objects associated with pleasure and pain. They included …
