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Image from page 115 of “The art of drawing in its various branches : exemplified in a course of twenty-eight progressive lessons, calculated to afford those who are unacquainted with the art, the means of acquiring a competent knowledge without the aid of
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Identifier: gri_c00033125010497473
Title: The art of drawing in its various branches : exemplified in a course of twenty-eight progressive lessons, calculated to afford those who are unacquainted with the art, the means of acquiring a competent knowledge without the aid of a master : being the only work of the kind in which the principles of effect are explained in a clear, methodical, and at the same time familiar style
Year: 1827 (1820s)
Authors: Smith, Thomas, watercolorist Sherwood, Gilbert & Piper, publisher Clowes, William, 1779-1847, printer
Subjects: Drawing Watercolor painting Color
Publisher: London : Printed for Sherwood, Gilbert, and Piper, Paternoster-Row
Contributing Library: Getty Research Institute
Digitizing Sponsor: Getty Research Institute
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\ r FL.OWEKS TiiJ-^Mid lvSA.ri,:.r,t .JC7:uS:0\TaJvl-/s2v. ^H ^H ? H ON FRUIT AND FLOWER DRAWING. 73 grows tired of his subject before it is finished, and shouldhe not succeed to his liking, he has not to regret the lossof a great deal of time, seeing that a small drawingcannot take a great deal of time to finish it. Never make a tint with two colours if you can makeit with one; never make a tint of three colours whichcan be made by two; and never, on any account, mixfour colours together, as there is no tint which cannot bemade by three colours. In drawing from nature, choosethe most simple objects, and such as admit of a breadthof light and shade. ? LESSON XVIII.On Fruit and Flower Drawing. The beauty of the objects represented, and the easewith which they are executed, have long rendered thisdepartment of the art the universal favourite of theladies, who seem to have taken it entirely to themselves,there being but few gentlemen who excel in fruit andflower painting. I shall beg
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